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52218

Beheading of Saint Cosmas and Saint Damian

1438-40 Tempera on wood, 36 x 46 cm

4808

Christ the Judge

1447 Fresco Chapel of San Brizio, Duomo, Orvieto

4809

Prophets

1447 Fresco Chapel of San Brizio, Duomo, Orvieto

43859

Resurrection of Christ and Women at the Tomb

1440-41 Fresco, 189 x 164 cm

4811

Saint Anthony the Abbot Tempted by a Lump of Gold

c. 1436 Tempera on panel, 19.7 x 28 cm Museum of Fine Arts, Houston

52216

Saint Cosmas and Saint Damian Condamned

1438-40 Tempera on wood, 37 x 46 cm

52217

Saint Cosmas and Saint Damian Crucifixed and Stoned

1438-40 Tempera on wood, 38 x 46 cm

52215

Saint Cosmas and Saint Damian Salvaged

1438-40 Tempera on wood, 38 x 45 cm

52229

Sepulchring of Saint Cosmas and Saint Damian

1438-40 Tempera on wood, 37 x 45 cm

52325

St Lawrence on Trial

1447-49 Fresco, 271 x 473 cm

52240

St Lawrence Receives the Treasures of the Church

1447-50 Fresco, 271 x 205 cm

63543

The Arrest of St Stephen

1447-49 Fresco Cappella Niccolina, Palazzi Pontifici, VaticanArtist:ANGELICO, Fra Title: The Arrest of St Stephen Painted in 1401-1450 , Italian - - painting : religious

52775

The Attempted martyrdom of ss cosmas and damian

mk223 Oil on canvas

52230

The Healing of Justinian by Saint Cosmas and Saint Damian

1438-40 Tempera on wood, 37 x 45 cm

4810

The Naming of St. John the Baptist

1434-35 Tempera on panel, 26 x 24 cm Museo di San Marco, Florence

52251

The Stoning of St Stephen

1447-49

52089

View of the Convent of San Marco

1436 Convento di San Marco

ANGELICO Fra

Italian Early Renaissance Painter, ca.1387-1455 Italian painter, illuminator and Dominican friar. He rose from obscure beginnings as a journeyman illuminator to the renown of an artist whose last major commissions were monumental fresco cycles in St Peter's and the Vatican Palace, Rome. He reached maturity in the early 1430s, a watershed in the history of Florentine art. None of the masters who had broken new ground with naturalistic painting in the 1420s was still in Florence by the end of that decade. The way was open for a new generation of painters, and Fra Angelico was the dominant figure among several who became prominent at that time, including Paolo Uccello, Fra Filippo Lippi and Andrea del Castagno. By the early 1430s Fra Angelico was operating the largest and most prestigious workshop in Florence. His paintings offered alternatives to the traditional polyptych altarpiece type and projected the new naturalism of panel painting on to a monumental scale. In fresco projects of the 1440s and 1450s, both for S Marco in Florence and for S Peter's and the Vatican Palace in Rome, Fra Angelico softened the typically astringent and declamatory style of Tuscan mural decoration with the colouristic and luminescent nuances that characterize his panel paintings. His legacy passed directly to the second half of the 15th century through the work of his close follower Benozzo Gozzoli and indirectly through the production of Domenico Veneziano and Piero della Francesca. Fra Angelico was undoubtedly the leading master in Rome at mid-century, and had the survival rate of 15th-century Roman painting been greater, his significance for such later artists as Melozzo da Forli and Antoniazzo Romano might be clearer than it is.

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